OPERA
„Maya Boog is the embodiment of a modern singer ; flexible, agile and naturally attractive and she brings physical and vocal expression seamlessly together. Gounods opera in Basel should be renamed "Marguerite", not out of respect for Goethe, but in honour of Maya Boog.“
Neue Zürcher Zeitung, Marianne Zelger-Vogt, for Faust
|
Komponist |
|
Werk |
Partie |
|---|---|---|---|
|
Bertin, Louise |
|
La Esmeralda |
Esmeralda |
|
Bizet, Georges |
|
Les Pecheurs de Perles |
Laila |
|
Cavalli, Francesco |
|
La Calisto |
Calisto |
|
Debussy, Claude |
|
Pelleas et Melisande |
Melisande |
|
Fall, Leo |
|
Die Rose von Stambul |
Kondja Gühl |
|
Gluck, Ch.W. |
|
Orfeo ed Euridice |
Euridice |
|
|
|
Telemaco |
Asteria |
|
Gounod, Charles |
|
Romeo et Juliette |
Juliette |
|
|
|
Faust |
Marguerite |
|
Händel, G.F. |
|
Alcina |
Morgana |
|
|
|
Ariodante |
Ginevra |
|
|
|
Orlando |
Dorinda |
|
|
|
Semele |
Semele |
|
|
|
Theodora |
Theodora |
|
Hasse, Adolf |
|
Piramo e Tisbe |
Tisbe |
|
Lehar, Franz |
|
Der Zarewitsch |
Sonja |
|
|
|
Die Juxheirat |
Selma |
|
|
|
Die lustige Witwe |
Hanna Glawari |
|
Massenet, Jules |
|
Manon |
Manon |
|
Monteverdi, Claudio |
|
L’incoronazione di Poppea |
Poppea |
|
Mozart, W.A. |
|
Cosi fan tutte |
Fiordiligi |
|
|
|
Die Entführung aus dem Serail |
Konstanze |
|
|
|
Die Zauberflöte |
Pamina |
|
|
|
Don Giovanni |
Zerlina Donna Anna |
|
|
|
Idomeneo |
Ilia |
|
|
|
La clemenza di Tito |
Vitellia |
|
|
|
Le nozze di Figaro
|
Susanna Contessa |
|
|
|
Zaide |
Zaide |
|
Poulenc, Francis |
|
La voix humaine |
La femme |
|
Puccini, Giacomo |
|
La Boheme |
Mimi |
|
Raymond, Fred |
|
Maske in blau |
Evelyn Valera |
|
Rameau, J.Ph |
|
Hippolyte e Aricie |
Aricie |
|
|
|
Les Paladins |
Argie |
|
Rossini, Gioachino |
|
Il barbiere di Siviglia |
Rosina |
|
Schnyder, Daniel |
|
Casanova |
Nonne |
|
Strauss, Richard |
|
Der Rosenkavalier |
Sophie |
|
Verdi, Giuseppe |
|
Falstaff |
Nanetta |
|
|
|
La Traviata |
Violetta |
|
|
|
Rigoletto |
Gilda |
|
Vivaldi, Antonio |
|
Orlando Furioso |
Angelica |
